Thursday, February 21, 2008

Auditions: "Sunday on the Rocks" by Theresa Rebeck - March 1 2008

GroundWorks Theatre announces auditions for Theresa Rebeck's "Sunday on the Rocks," to be directed by Melissa Bedinger Hade. Auditions will be held on March 1, 2008, from 1:00-5:00pm, at the Darkhorse Theater. The play will run May 2-10, also at the Darkhorse.

Description: On a beautiful Sunday morning in mid-October, three housemates decide to have scotch for breakfast in this play by the author of "Spike Heels," "The Family of Mann,""Loose Knit," and "Bad Dates" (produced by GroundWorks Theatre in May 2007). Elly is pregnant and considering an abortion, Jen is being harassed by a co-worker who is obsessed with her, and Gayle just feels a bit lost. Their problems are compounded by a fourth roommate, Jessica, a religious young woman who has little compassion for their confused attempts to make sense of life in the 90s. As they drink, joke, and argue, it becomes clear how difficult it is to make a moral decision in an increasingly complex world.

"It's rare to encounter a domestic comedy that speaks to an entire generation, but 'Sunday on the Rocks' hits a raw nerve for today's generation of Angry Young Women." --Boston Globe.

Roles are available for four women, aged late 20s - late 30s. Appointments are not necessary, and auditions will be by cold readings from the script.

For more information, visit www.groundworkstheatre.com.

Thursday, January 17, 2008

"The Pillowman" by Martin McDonagh: February 8-16 2008

"McDonagh's bleak, tightly-written script gets its due in a successfully disconcerting mounting."

--Martin Brady, The Nashville Scene


“A writer in a totalitarian state is interrogated about the gruesome content of his short stories and their similarities to a number of child-murders that are happening in his town…”

Thus does writer Katurian Katurian describe his own precarious situation in Martin McDonagh’s brilliant, award-winning “The Pillowman.” The show premiered at London’s Royal National Theatre, winning the Olivier Award for Best New Play, before transferring to Broadway. That production, featuring Billy Crudup and Jeff Goldblum, won the Drama Critics Circle Award for Best Play (Foreign), 2 Tony Awards, 2 Drama Desk Awards, and an Outer Critics Circle Award. Ben Brantley in The New York Times called it a “spellbinding stunner … [the] season's most exciting and original new play.”

The story opens with Katurian’s interrogation at the hands of investigators Tupolski and Ariel. The two carry out an often-funny, often-brutal variation on the “good cop, bad cop” routine, attempting to force Katurian into admitting some connection to a series of child murders which have striking similarities to his dark, Grimm-inspired stories. The stakes are raised even higher by the revelations that one child is still unaccounted for… and that the investigators have Katurian’s child-like brother Michal in a holding cell, ready to torture him for further information…

Nate Eppler leads the cast as Katurian. A playwright recently commissioned by the Kennedy Center and White House Historical Association, Nate has performed in the Karl May Festival in Elspe, Germany, and locally in “Sorry, Wrong Chimney” at Chaffin’s Barn. GroundWorks veteran Jack E. Chambers (Tupolski), appeared most recently in the BoilerRoom Theatre original “Billy Bob’s Holiday Hoedown,” and has appeared in many GWT productions, including “Closer,” “Enchanted April,” and “Blackbird.” J. Dietz Osborne (Ariel) has worked on the road with Martina McBride’s Joy of Christmas tour and in “Singing In The Rain” (Murry’s Dinner Playhouse, Little Rock), and at the BoilerRoom Theatre (“Cat on a Hot Tin Roof,” “Gypsy”). Alex Vernon (Michal) appeared in Lamplighters’ “Guys and Dolls,” as well as in “The Country Wife” and “Hay Fever” at MTSU.

Director Megan Murphy is herself a veteran of several GroundWorks productions, appearing in “Tape,” “Blackbird,” and “Enchanted April,” and co-producing “Closer.” “The show is relevant and yet abstract, and a true page-turner, in the classic sense,” says Murphy. “It’s the truest examination of how we defend what we value and what the responsibility of an artist is.”

GroundWorks Theatre presents Martin McDonagh’s “The Pillowman” at the Darkhorse Theater, 4610 Charlotte Avenue. Performances are February 8-10 and 11-16 at 7:30pm. Tickets are $15, $12 for students and seniors. For reservations, contact the GroundWorks information line at 615.262.5485; for further information, check out www.groundworkstheatre.com.

"The Pillowman" Publicity Materials

Downloadable publicity materials for our production -- please distribute freely.

Pillowman Poster 1 (Pillow)

Pillowman Poster 2 (Nate)

Pillowman Program 1 (Pillow)

Pillowman Program 2 (Nate)

Tuesday, January 1, 2008

GroundWorks Theatre Production History

Shows are ordered from the most recent backwards. Links are to published
reviews, Best of Nashville mentions, or artwork and promotional material.

Unconditional (Myra Stephens) - 3/2012

The Very Different Christmas Dinner (Robert A. O'Connell) - 12/2011

The Fall to Earth (Joel Drake Johnson) - 5/2011

The Very Different Christmas Dinner (Robert A. O'Connell) (staged reading) - 12/2010

The Conscientious Objector (Michael Murphy) - 5/2010

Fat Pig (Neil LaBute) - 3/2010

Christmas on the Pecos (Robert A. O'Connell) - 12/2009

Eat the Runt (Avery Crozier) - 10/2009 [scene review] [broadwayworld.com review]

O Jerusalem (A. R. Gurney) - 5/2009 [scene review] [stagecritic review]

Marry Me a Little (Stephen Sondheim, Craig Lucas) - 3/2009

The Road to Bethelehem (Robert A. O'Connell) - 12/2008 [scene review]

Chesapeake (Lee Blessing) - 10/2008 [scene review]

Sunday on the Rocks (Theresa Rebeck) - 5/2008 [scene review]

The Pillowman (Martin McDonagh) - 2/2008 [scene review]

American Christmas (Robert A. O'Connell) - 12/2007 [scene review]

Of Cabbages and Kings (Robert A. O'Connell) - 10/2007 [scene review]

Bad Dates (Theresa Rebeck) - 5/2007 [scene review]


Closer (Patrick Marber) - 2/2007 [scene review]


Mrs. Bob Cratchit's Wild Christmas Binge (Christopher Durang) - 12/2006 [scene review]

Why The Sea Is Boiling Hot (Robert O'Connell) - 10/2006 [scene review]

Enchanted April (Matthew Barber) - 4/2006 [scene review][photos]


Blackbird (Adam Rapp) - 1/2006 [scene review] [scene BON]


Merry [BLEEP]ing Christmas (Original Collaboration) - 12/2005

The Pavilion (Craig Wright) - 10/2005 [scene review]

Hellcab (Will Kern) - 12/2004 [scene review]

Nocturne (Adam Rapp) - 10/2004


Tape (Stephen Belber) - 4/2004 [scene review]

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